bibliography
Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):
Es befinden sich 469 Einträge in diesem Literaturverzeichnis.
Duxbury C, Bello JP, Sandler M, and Davies M (2004).
A comparison between fixed and multiresolution analysis for onset detection in musical signals.
In: Proc. Digital Audio Effects Workshop (DAFx).
Gauthier P (2004).
pdj - java external plugin for pure-data.
Webpublished, http://www.le-son666.com/software/pdj/.
Griffiths D (2004).
Live coding of graphics.
Webpublished, http://www.toplap.org/index.php/Live_coding_of_graphics.
Hainsworth SW (2004).
Techniques for the Automated Analysis of Musical Audio.
PhD thesis, University of Cambridge.
Holzmann G (2004).
PDContainer library for Pd.
Webpublished, cvs://pure-data.cvs.sourceforge.net/cvsroot/pure-data/externals/grh/PDcontainer/.
Jehan T (2004).
Event-synchronous music analysis/synthesis.
In: Proc. Digital Audio Effects Workshop (DAFx), Naples, Italy.
Jensen K (2004).
Causal rhythm grouping.
In: Proceedings of the 2nd International Symposium on Computer Music Modeling and Retrieval, Esbjerg, Denmark.
Kapanci E, and Pfeffer A (2004).
A hierarchical approach to onset detection.
In: Proc. Int. Computer Music Conference, Miami, Florida.
Klapuri AP (2004).
Automatic music transcription as we know it today.
Journal of New Music Research, 33(3):269-282.
Leveau P, Daudet L, and Richard G (2004).
Methodology and tools for the evaluation of automatic onset detection algorithms in music.
In: Proc. Int. Symp. on Music Information Retrieval.
London J (2004).
Hearing in Time: Psychological Aspects of Musical Meter.
Oxford University Press, New York.
McLean A (2004).
Hacking Perl in nightclubs.
Webpublished, http://www.perl.com/pub/a/2004/08/31/livecode.html.
(2004).
TOPLAP homepage.
Webpublished, http://toplap.org.
Pampalk E (2004).
A Matlab toolbox to compute music similarity from audio.
In: Proc. Int. Symp. on Music Information Retrieval, Barcelona, Spain.
Raphael C (2004).
Aligning musical scores with audio using hybrid graphical models.
In: Proc. Int. Symp. on Music Information Retrieval.
Rode JA, Toye EF, and Blackwell AF (2004).
The Fuzzy Felt Ethnography - understanding the programming patterns of domestic appliances.
Personal and Ubiquitous Computing, 8:161–176.
Rohrhuber J, and de Campo A (2004).
Uncertainty and waiting in computer music networks.
In: Proceedings of the International Computer Music Conference.
Schwarz D (2004).
Data-driven Concatenative Sound Synthesis.
PhD thesis, Université Paris 6.
Searle JR (2004).
Mind: A Brief Introduction.
Oxford University Press, New York.
Steiner HC, and Steiner J (2004).
serendiPd - impromptu networked collaboration.
Webpublished, http://at.or.at/serendipd/.
Sturm B (2004).
Concatenative sound synthesis for sound design and electroacoustic composition.
In: Proc. Digital Audio Effects Workshop (DAFx).
Temperley D (2004).
Bayesian models of musical structure and cognition.
Musicae Scientiae, 8(2):175-205.
Temperley D (2004).
An evaluation system for metrical models.
Computer Music Journal, 28(3):28-44.
Temperley D (2004).
Communicative Pressure and the Evolution of Musical Styles.
Music Perception, 21(3):313-337.
Todd NP, and Seiss E (2004).
Electrophysiological correlates of beat induction as internally-and externally-guided action.
In: Proc. Int. Conf. on Music Perception and Cognition, Chicago.