bibliography
Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):
Es befinden sich 469 Einträge in diesem Literaturverzeichnis.
MacKenzie IS, and Guiard Y (2001).
The two-handed desktop interface: are we there yet?
In: CHI '01: extended abstracts on Human factors in computing systems, pp. 351-352, New York, NY, USA, ACM Press.
Madden T, Smith RB, Wright M, and Wessel D (2001).
Preparation for interactive live computer performance in collaboration with a symphony orchestra.
In: Proc. Int. Computer Music Conference, Havana, Cuba.
Marchand S (2001).
An efficient pitch tracking algorithm using a combination of Fourier transforms.
In: Proc. Digital Audio Effects Workshop (DAFx), Limerick, Ireland.
Orio N, and Déchelle F (2001).
Score following using spectral analysis and hidden Markov models.
In: Proc. Int. Computer Music Conference, Havana, Cuba.
Pane JF, Ratanamahatana CA, and Myers BA (2001).
Studying the language and structure in non-programmers' solutions to programming problems.
International Journal of Human-Computer Studies, 54(2):237–264.
Pikovsky A, Rosenblum M, and Kurths J (2001).
Synchronization: A Universal Concept in Nonlinear Sciences.
Cambridge University Press, Cambridge.
Purves D, Augustine GJ, Fitzpatrick D, Katz LC, LaMantia AS, McNamara JO, and Williams SM (ed.) (2001).
Neuroscience.
Sinauer Associates, Inc., Massachusetts, 2nd ed.
Raphael C (2001).
Synthesizing musical accompaniments with Bayesian belief networks.
Journal of New Music Research, 30(1):59-67.
Repp B (2001).
Processes underlying adaptation to tempo changes in sensorimotor synchronisation.
Human Movement Science, 20:277-312.
Roads C (2001).
Microsound.
MIT Press, Cambridge, MA.
Rowe R (2001).
Machine Musicianship.
MIT Press, Cambs, MA.
Seaman G (2001).
Free Hardware Design - Past, Present, Future.
In: Oekonux Conference.
Seppänen J (2001).
Computational models of musical meter recognition.
Master thesis, Dept. Information Technology, Tampere University of Technology.
Smith LS (2001).
Using depressing synapses for phase locked auditory onset detection.
In: Int. Conf. on Artificial Neural Networks - ICANN 2001, Lecture Notes in Computer Science 2130, Springer.
Temperley D (2001).
The Cognition of Basic Musical Structures.
MIT Press, Camb, MA.
Temperley D (2001).
The Question of Purpose in Music Theory: Description, Suggestion, and Explanation.
Current Musicology, 66:66-85.
Zils A, and Pachet F (2001).
Musical mosaicing.
In: Proc. Digital Audio Effects Workshop (DAFx).
Blackwell AF, and Green TR (2000).
A Cognitive Dimensions questionnaire optimised for users.
In: Proceedings of the Twelth Annual Meeting of the Psychology of Programming Interest Group, ed. by A. F. Blackwell and E. Bilotta, pp. 137–152.
Blackwell AF, Green TR, and Nunn DJ (2000).
Cognitive Dimensions and Musical Notation Systems.
In: Proceedings ICMC Workshop on Notation and Music Information Retrieval in the Computer Age, Berlin, ICMA.
Cascone K (2000).
The aesthetics of failure: Post-digital tendencies in contemporary computer music.
Computer Music Journal, 24(4).
Ching CC (2000).
Apprenticeship, Education, and Technology: Children as Oldtimers and Newcomers to the Culture of Learning through Design.
PhD thesis, UCLA.
Clayton M (2000).
Time in Indian Music: Rhythm, Metre and Form in North Indian Rag Performance.
Oxford University Press, Oxford.
Cliff D (2000).
Hang the DJ: Automatic sequencing and seamless mixing of dance-music tracks.
HP Labs Technical Reports, Technical Report(HPL-2000-104).
Desain P, and Windsor L (ed.) (2000).
Rhythm Perception and Production.
Svets and Zeitlinger, Lisse, the Netherlands.
Drake C, Jones MR, and Baruch C (2000).
The development of rhythmic attending in auditory sequences: Attunement, referent period, focal attending.
Cognition, 77:251-88.