bibliography
Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):
Es befinden sich 469 Einträge in diesem Literaturverzeichnis.
Howell P (1988).
Prediction of P-center location from the distribution of energy in the amplitude envelope: I.
Perception and Psychophysics, 43:90-93.
Neely ST, Norton SJ, Gorga MP, and Jesteadt W (1988).
Latency of auditory brain-stem responses and otoacoustic emissions using tone-burst stimuli.
J. Acoust. Soc. Am., 83(2):652-656.
(1988).
Inventer des Instruments.
In: Les Cahiers du CENAM, CENAM. 50.
Pickles JO (1988).
Introduction to the Physiology of Hearing.
Academic Press, London, 2nd ed.
Sloboda JA (1988).
Generative processes in music: the psychology of performance, improvisation, and composition.
Oxford University Press, Oxford.
Truax B (1988).
Real-time granular synthesis with a digital signal processor.
Computer Music Journal, 12(2):14-26.
Gann K (1987).
The Hub Musica Telephonica.
The Village Voice(6-23-87).
Gordon JW (1987).
The perceptual attack time of musical tones.
J. Acoust. Soc. Am., 82(1):88-105.
Pressing J (1987).
Improvisation: methods and models.
In: Generative Processes in Music, ed. by John A. Sloboda, pp. 129–178, Oxford University Press.
Polansky L (1986).
New Instrumentation and Orchestration: an Outline for Study.
?, Oakland, CA.
Roads C (1986).
The Second STEIM Symposium on interactive composition in live electronic music.
Computer Music Journal, 10(2):44-50.
Wiedenbeck S (1986).
Beacons in computer program comprehension.
International Journal of Man-Machine Studies, 25:697–709.
Povel DJ, and Essens P (1985).
Perception of temporal patterns.
Music Perception, 2(4):411-440.
Roads C (1985).
Research in music and artificial intelligence.
Computing Surveys, 17(2).
Sloboda JA (1985).
The musical mind: the cognitive psychology of music.
Clarendon Press, Oxford.
Brailoiu C (1984).
Problems of Ethnomusicology.
Cambridge University Press, Cambridge.
Béhague G (1984).
Performance Practice: Ethnomusicological Perspectives.
Greenwood Press, Westport, CT.
Collinge DJ (1984).
MOXIE: A Language for Computer Music Performance.
In: Proceedings of the International Computer Music Conference, ed. by Buxton, W.
Hamburger M (ed.) (1984).
Beethoven: Letters, Journals and Conversations.
Thames and Hudson Ltd., London.
Pressing J (1984).
Cognitive Processes in Improvisation.
In: Cognitive Processes in the Perception of Art, ed. by Crozier and Chapman, pp. 345-363, Elsevier Science Publishers.
Pressing J (1984).
Cognitive processes in improvisation.
Cognitive processes in the perception of art:345--363.
Costello/White T (1983).
A man out of time beats the clock.
Musician magazine, 60:52.
Lerdahl F, and Jackendoff R (1983).
A Generative Theory of Tonal Music.
MIT Press, Cambridge, Mass.
Deutsch D (ed.) (1982).
The Psychology of Music.
Academic Press, London, 1st ed.
Marcus SM (1981).
Acoustic determinants of perceptual center (p-center) location.
Perception and Psychophysics, 30(3):247-56.