bibliography
Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):
Es befinden sich 469 Einträge in diesem Literaturverzeichnis.
Paradiso J, Hsiao KY, and Hu E (1999).
Interactive music for instrumented dancing shoes.
In: Proc. Int. Computer Music Conference, Beijing, China.
Patel AD, Löfqvist A, and Naito W (1999).
The acoustics and kinematics of regularly-timed speech: A database and method for the study of the p-center problem.
In: Proceedings of the 14th International Congress of Phonetic Sciences, vol. I, pp. 405-408.
Perrot D, and Gjerdingen RO (1999).
Scanning the dial: An exploration of factors in the identification of musical style (abstract only).
In: Proc. Int. Conf. on Music Perception and Cognition.
Pressing J (1999).
The Referential Dynamics of Cognition and Action.
Psychological Review, 106(4):714–747.
Rama J, Rao K, Sekhar C, and Yegnanarayana B (1999).
Neural networks based approach for detection of vowel onset points.
In: International Conference on Advances in Pattern Recognition and Digital Techniques, Calcutta.
Ramalho GL, Rolland PY, and Ganascia JG (1999).
An artificiality intelligent jazz performer.
Journal of New Music Research, 28(2):105-29.
Rossignol S, Depalle P, Soumagne J, Rodet X, and Collette JL (1999).
Vibrato: Detection, estimation, extraction and modification.
In: Proc. Digital Audio Effects Workshop (DAFx).
Rossignol S, Rodet X, Soumagne J, Collette JL, and Depalle P (1999).
Automatic characterisation of musical signals: Feature extraction and temporal segmentation.
Journal of New Music Research, 28(4):281-95.
Scheirer ED (1999).
Towards music understanding without separation: Segmenting music with correlogram comodulation.
In: IEEE Workshop on Applications of Signal Processing to Audio and Acoustics.
Shapiro P (1999).
Drum'n'bass, the Rough Guide.
Rough Guides Ltd, London.
van Noorden L, and Moelants D (1999).
Resonance in the perception of musical pulse.
Journal of New Music Research, 28(1):43-66.
Wilson PN (1999).
Hear and Now, Gedanken zur improvisierten Musik.
Wolke Verlagsges. (ISBN: 3923997884).
Zwicker E, and Fastl H (1999).
Psychoacoustics: Facts and Models.
Springer Verlag, Berlin, Germany, 2nd ed.
Beyer H, and Holtzblatt K (1998).
Contextual Design.
Morgan Kaufmann, San Francisco.
Burk P (1998).
JSyn - A Real-time Synthesis API for Java.
In: Proceedings of the International Computer Music Conference, pp. 252–255, International Computer Music Association.
Collins H, and Kusch M (1998).
The Shape of Actions: What Humans and Machines can do.
MIT Press, Cambridge, MA.
Dechelle F, Borghesi R, De Cecco M, Maggi E, Rovan B, and Schnell N (1998).
jMax: a new JAVA-based editing and control system for real-time musical applications .
In: Proceedings of the 1998 International Computer Music Conference, International Computer Music Association, San Francisco.
Fuller S (1998).
Motorola's AltiVec(tm) Technology.
Webpublished.
Gresham L (1998).
The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music.
Leonardo Music Journal, 8:39–44.
Herrera P, and Bonada J (1998).
Vibrato extraction and parameterization in the spectral modeling synthesis framework.
In: Proc. Digital Audio Effects Workshop (DAFx), Barcelona.
Kogawa T (1998).
Toward Polymorphous Radio.
Webpublished, http://anarchy.translocal.jp/non-japanese/radiorethink.html.
Ligeti G (1998).
Etudes pour piano: deuxième livre.
Schott, Mainz, Germany.
Martin KD, Scheirer ED, and Vercoe BL (1998).
Music content analysis through models of audition.
In: ACM Workshop on Content Processing of Media for Multimedia Applications.
McCartney J (1998).
Continued evolution of the SuperCollider real time synthesis environment.
In: Proc. Int. Computer Music Conference, Ann Arbor, Michigan.
Nettl B, and Russell M (ed.) (1998).
In the Course of Performance: Studies in the World of Musical Improvisation.
University Of Chicago Press, Chicago. (ISBN: 978-0226574110).