bibliography
Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):
Es befinden sich 469 Einträge in diesem Literaturverzeichnis.
Neuhoff JG (1998).
Perceptual bias for rising tones.
Nature, 395:123-124.
Patterson RD, and Irino T (1998).
Modeling temporal asymmetry in the auditory system.
J. Acoust. Soc. Am., 104(5):2967-79.
Scheirer ED (1998).
Tempo and beat analysis of acoustic musical signals.
J. Acoust. Soc. Am., 103(1):588-601.
Scott SK (1998).
The point of p-centres.
Psychological Research, 61:4-11.
Toiviainen P (1998).
An interactive MIDI accompanist.
Computer Music Journal, 22(4):63-75.
Wessel D, Wright M, and Khan SA (1998).
Preparation for improvised performance in collaboration with a Khyal singer.
In: Proc. Int. Computer Music Conference, Ann Arbor, Michigan.
Wright M, and Wessel D (1998).
An improvisation environment for generating rhythmic structures based on North Indian ,,tal'' patterns.
In: Proc. Int. Computer Music Conference, Ann Arbor, Michigan.
Danks M (1997).
Real-time Image and Video Processing in GEM.
In: Proceedings of the International Computer Music Conference, pp. 220–223, International Computer Music Association.
Dannenberg RB (1997).
Machine Tongues XIX: Nyquist, a Language for Composition and Sound Synthesis.
Computer Music Journal, 21(3):50–60.
Dean R, and Smith H (1997).
Improvisation, Hypermedia And The Arts Since 1945.
Routledge, Amsterdam. (ISBN: 978-3718658787).
Goto M, and Muraoka Y (1997).
Issues in evaluating beat tracking systems.
In: International Joint Conference on Artificial Intelligence, Workshop on Issues in AI and Music, Evaluation and Assessment, pp. 9-16.
Harsin CA (1997).
Perceptual-center modeling is affected by including acoustic rate-of-change modulations.
Perception and Psychophysics,, 59(2):243-51.
Iyer V, Bilmes J, Wright M, and Wessel D (1997).
A novel representation for rhythmic structure.
In: Proc. Int. Computer Music Conference.
Magill JM, and Pressing JL (1997).
Asymmetric cognitive clock structures in West African rhythms.
Music Perception, 15(2):189-222.
Mittal M, Peleg A, and Weiser U (1997).
MMX(tm) Technology Archtitecture Overview.
Intel Technology Journal.
Moore BC (1997).
An Introduction to the Psychology of Hearing.
Academic Press, San Diego, CA.
Moore BC, Glasberg BR, and Baer T (1997).
A model for the prediction of thresholds, loudness, and partial loudness.
J. Audio Eng. Soc., 45(4):224-40.
Palmer C (1997).
Music performance.
Annual Review of Psychology, 48:728-41.
Puckette MS (1997).
Pure data.
In: Proceedings of the International Computer Music Conference, pp. 224--227, International Computer Music Association.
Puckette MS (1997).
Pure Data: recent progress.
In: Proceedings of the Third Intercollege Computer Music Festival, pp. 1-4, Tokyo, Japan.
Supper M (1997).
Elektroakustische Musik und Computermusik.
Wolke Verlagsges. (ISBN: 3923997779).
Walker WF (1997).
A computer participant in musical improvisation.
In: Proc. Computer-Human Interaction (CHI).
Wright M, and Freed A (1997).
Open Sound Control: A new protocol for communicating with sound synthesisers.
In: Proc. Int. Computer Music Conference, pp. 101-104, Thessaloniki, Hellas.
Abelson H, Sussman GJ, and Sussman J (1996).
Structure and Interpretation of Computer Programs.
The MIT Press, Cambridge, Massachusetts, 2nd ed.
Bel B (1996).
A flexible environment for music composition in non-European contexts.
In: Journées d'Informatique Musicale , JIM, Caen, France.