Skip to content. | Skip to navigation

forum::für::umläute nicole pruckermayr & IOhannes m zmölnig

Sections
Personal tools
You are here: Home Members IOhannes m zmölnig Dissertation literature bibliography
Document Actions

bibliography

This folder holds the following references to publications, sorted by year and author.

There are 469 references in this bibliography folder.

Select bibliography style: 

Danks M (1996).
The Graphics Environment for Max.
In: Proceedings of the International Computer Music Conference, pp. 67–70, International Computer Music Association.

Dannenberg RB, and Brandt E (1996).
A Flexible Real-Time Software Synthesis System.
In: Proceedings of the International Computer Music Conference, pp. 270–273, International Computer Music Association.

Franklin S, and Graesser A (1996).
Is it an Agent, or just a Program?: A Taxonomy for Autonomous Agents.
In: Proceedings of the Third International Workshop on Agent Theories, Architectures, and Languages, Springer.

Green TR, and Petre M (1996).
Usability analysis of visual programming environments: a 'cognitive dimensions' approach.
Journal of Visual Languages and Computing, 7:131–174.

Hopkin B (1996).
Musical Interface Design: Practical Information for Instrument Making.
See Sharp Press, Tucson, AZ. (ISBN: 1884365086).

Kortekaas RW, Hermes DJ, and Meyer GF (1996).
Vowel-onset detection by vowel-strength measurement, cochlear-nucleus simulation, and multilayer perceptron.
J. Acoust. Soc. Am., 99(2):1185-99.

Masri P, and Bateman A (1996).
Improved modelling of attack transients in music analysis-resynthesis.
In: Proc. Int. Computer Music Conference.

McCartney J (1996).
SuperCollider: A New Real-Time Sound Synthesis Language.
In: The International Computer Music Conference, pp. 257-258, International Computer Music Association, San Francisco.

Puckette MS (1996).
Pure Data.
In: Proc. of the ICMC, pp. 269-272, International Computer Music Association, San Francisco.

Puckette MS (1996).
Pure Data: another integrated computer music environment.
In: Proceedings of the Second Intercollege Computer Music Concerts, pp. 37-41, Tachikawa, Japan.

Roads C (1996).
The Computer Music Tutorial.
MIT Press, Cambridge, MA.

Scheirer ED (1996).
Bregman's chimerae: Music perception as auditory scene analysis.
In: Proc. Int. Conf. on Music Perception and Cognition.

Sobel JM, and Friedman DP (1996).
An Introduction to Reflection-Oriented Programming.
In: Reflection 96.

Todd NP, and Brown GJ (1996).
Visualisation of rhythm, time and metre.
Artificial Intelligence Review, 10:253-273.

Agawu VK (1995).
African Rhythm: A Northern Ewe Perspective.
Cambridge University Press, Cambridge.

Demers FN, and Malenfant J (1995).
Reflection in logic, functional and object-oriented programming: a Short Comparative Study.
In: Proc. of the IJCAI’95 Workshop on Reflection and Metalevel Architectures and their Applications in AI, pp. 29–38.

Kivy P (1995).
Authenticities: Philosophical Reflections on Musical Performance.
Cornell University Press, Ithaca and London. (ISBN: 978-0801484803).

Moore BC (ed.) (1995).
Hearing.
Academic Press, San Diego, CA.

Newman A (1995).
Bach and the Baroque.
Pendragon Press, Stuyvesant, NY, 2nd ed.

Pausch R, Burnette T, Capeheart A, Conway M, Cosgrove D, DeLine R, Durbin J, Gossweiler R, Koga S, and White J (1995).
Alice: Rapid Prototyping System for Virtual Reality.
IEEE Computer Graphics and Applications, 15(3):8--11.

Petre M (1995).
Why Looking Isn't Always Seeing: Readership Skills and Graphical Programming.
Communications of the ACM, 38(6):33--44.

Roederer JG (ed.) (1995).
The Physics and Psychophysics of Music.
Springer-Verlag, New York, 2nd ed.

Taruskin R (1995).
Text and Act: Essays on Music and Performance.
Oxford University Press, USA. (ISBN: 978-0195094589).

Wooldridge M, and Jennings NR (1995).
Intelligent agents: Theory and practice.
Knowledge Engineering Review, 10(2).

Brown GJ, and Cooke MP (1994).
Computational auditory scene analysis.
Computer Speech and Language, 8:297-336.

 

Powered by Plone , Apache , Debian and algo.mur.at