bibliography
Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):
Es befinden sich 469 Einträge in diesem Literaturverzeichnis.
Buck JT, Ha S, Lee EA, and Messerschmitt DG (1994).
Ptolemy: A Framework for Simulating and Prototyping Heterogeneous Systems.
Int. Journal of Computer Simulation, special issue on Simulation Software Development.
Burgess A (1994).
The Wanting Seed.
Vintage, London.
Desain P, and Honing H (1994).
Does expressive timing in music performance scale proportionally with tempo?
Psychological Review, 56:285-92.
Holtzman S (1994).
Digital Mantras: The Languages of Abstract and Virtual Worlds.
MIT Press, MA.
Large EW, and Kolen JF (1994).
Resonance and the perception of musical meter.
Connection Science, 6:177-208.
Parncutt R (1994).
A perceptual model of pulse salience and metrical accent in musical rhythms.
Music Perception, 11(4):409-64.
Smith LS (1994).
Sound segmentation using onsets and offsets.
Journal of New Music Research, 23:11-23.
Wishart T (1994).
Audible Design.
Orpheus the Pantomime Ltd, York.
Bailey D (1993).
Improvisation: Its Nature and Practice in Music.
Da Capo Press, reprint ed. (ISBN: 978-0306805288).
Bilmes JA (1993).
Techniques to foster drum machine expressivity.
In: Proc. Int. Computer Music Conference.
Brown J, and Puckette MS (1993).
A high-resolution fundamental frequency determination based on phase changes of the Fourier transform.
J. Acoust. Soc. Am., 94(2):662-667.
Dannenberg R (1993).
A Brief Survey of Music representation issues, techniques and systems.
Computer Music Journal, 17(3):20-30.
Desain P, and Honing H (1993).
Tempo curves considered harmful.
Contemporary Music Review, 7(2):123-38.
Haus G (ed.) (1993).
Music Processing.
Oxford University Press, Oxford.
Neider J, Davies T, and Woo M (1993).
OpenGL Programming Guide.
Addison Wesley, Reading, Mass.
Pope ST (1993).
Machine Tongues XV: Three Packages for Software Sound Synthesis.
Computer Music Journal, 17(2):23–54.
Rowe R (1993).
Interactive Music Systems.
MIT Press, Cambs, MA.
Anderson TE, Bershad BN, Lazowska ED, and Levy HM (1992).
Scheduler Activations: Effective Kernel Support for the User-Level Management of Parallelism.
ACM Transactions on Computer Systems, 10(1):53–79.
Brown JC, and Puckette MS (1992).
An efficient algorithm for the calculation of a constant Q transform.
J. Acoust. Soc. Am., 92(5):2698-2701.
Cyr M (1992).
Performing Baroque Music.
Scolar Press, Aldershot, England.
Desain P, and Honing H (1992).
Music, Mind and Machine: Studies in Computer Music, Music Cognition and Artificial Intelligence.
Thesis Publishers, Amsterdam.
Hodges A (1992).
Alan Turing: The Enigma.
Vintage, London.
Lerdahl F (1992).
Cognitive constraints on compositional systems.
Contemporary Music Review, 6(2):97–121.
Shaw C, Liang J, Green M, and Sun Y (1992).
The Decoupled Simulation Model for Virtual Reality Systems.
In: Proceedings of the ACM SIGCHI Human Factors in Computer Systems Conference, pp. 321–328.
Todd NP (1992).
The dynamics of dynamics: a model of musical expression.
J. Acoust. Soc. Am., 91(6):3540-50.