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bibliography

Dieses Verzeichnis enthält folgenden Referenzen zu Publikationen (sortiert nach Erscheinungsjahr und Autor):

Es befinden sich 469 Einträge in diesem Literaturverzeichnis.

Bibliographiestil wählen: 

Xenakis I (1992).
Formalized Music.
Pendragon Press, Stuyvesant, NY.

Anderson DP, and Kuivila R (1991).
Formula: A Programming Language for Expressive Computer Music.
Computer, 24(7):12-21.

Collins N (1991).
Cargo cult instruments.
Contemporary Music Review, 6(1):73-84.

Kogawa T (1991).
Tetsuo Kogawa Cooks a FM transmitter .
Webpublished, http://anarchy.translocal.jp/streaming/19911104tkcookstx.ram.

Puckette MS (1991).
Combining Event and Signal Processing in the MAX Graphical Programming Environment.
Computer Music Journal, 15(3):68-77.

Ryan J (1991).
Some remarks on musical instrument design at STEIM.
Contemporary Music Review, 6(1):3-17.

Todd PM, and Loy DG (1991).
Music and Connectionism.
MIT Press, Camb, MA.

Anderson DP, and Kuivila R (1990).
A system for computer music performance.
ACM Transactions on Computer Systems, 8(1):56-82.

Bregman AS (1990).
Auditory Scene Analysis: The Perceptual Organization of Sound.
MIT Press, Cambridge, MA.

Kartomi MJ (1990).
On Concepts and Classifications on Musical Instruments.
University of Chicago Press, Chicago. (ISBN: 978-0226425498).

Krumhansl CL (ed.) (1990).
Cognitive Foundations of Musical Pitch.
Oxford University Press, New York.

Kurzweil R (1990).
The Age of Intelligent Machines.
MIT Press, Cambridge, Mass.

McGee TJ (1990).
Medieval and Renaissance Music: A Performer's Guide.
Scolar Press, Aldershot, England.

Slaney M, and Lyon RF (1990).
A perceptual pitch detector.
In: Proc. ICASSP, pp. 357-360.

Vercoe B, and Ellis D (1990).
Real-Time CSOUND: Software Synthesis with Sensing and Control.
In: Proceedings of the International Computer Music Conference, pp. 209–211, International Computer Music Association.

Dannenberg RB (1989).
The Canon Score Language.
Computer Music Journal, 13(1):47--56.

Handel S (1989).
Listening: An Introduction to the Perception of Auditory Events.
MIT Press, Cambrigde, MA.

Mathews MV, and Pierce JR (1989).
Current Directions in Computer Music Research.
MIT Press, Cambridge, Mass.

Pompino-Marschall B (1989).
On the psychoacoustic nature of the p-center phenomenon.
Journal of Phonetics, 17:175-192.

Beyls P (1988).
Introducing Oscar.
In: Proc. Int. Computer Music Conference.

Collinge DJ, and Scheidt DJ (1988).
MOXIE for the Atari ST.
In: Proceedings of the International Computer Music Conference, pp. 231-238.

Dannenberg RB (1988).
A Real Time Scheduler/Dispatcher.
In: Proceedings of the International Computer Music Conference, pp. 239–242, International Computer Music Association.

Davies H (1988).
Maurice Ravel and the Lutheal.
Experimental Musical Instruments, iv(2):11–14.

 

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